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  ISSUE 1 SUMMER 2005  

VIDEO SHOW

Saturday September 17, 2005
riffRAG Presents an Evening of Queer Music Videos

location:
LE PETIT VERSAILLES
346 East Houston Street (between Avenues B and C)

FREE ADMISSION
7:00pm Reception
8:00pm Screening

Bro, the Boss said it best when he droned, “57 channels and nothing on.” Even the new all gay, all the time networks Logo and Here cannot satisfy me. Because when I crave something other than yet another documentary about lesbian grandmothers and gay male choruses, something more light and whimsical, well, where can I turn to? Not to MTV, where my desire for masculine bodies can only be quenched by bloated frat boys and the T&A belongs to decidedly straight plastic dolls. Nah, I don’t want any of that. Instead, I crave Lucas Michael’s subversive camp in LM2, the sweet punk rock crush of Ji-Sung Kim’s How Fluttering, and the sexy interaction between a young artfag and his Life Drawing mentor in Erica Cho’s School Boy Art.

riffRAG presents an evening of queer music videos. Although some of these works are not strictly classified as “music video,” music and sound play crucial parts in their narrative, underlining and enhancing their meaning. They don’t illustrate; they illuminate.

Films/videos to be screened (Running time: approx. 55 minutes):

If You Want It (Giles O’Dell, 6 min., video, 2003)
An animated music video for a Portland-based queer group that channels Dr. Seuss and births a new kind of nastiness. (Music by Scream Club)
LM2 (Lucas Michael, 4 min., video, 2003)

LM2 is a “drag upon drag” performance of empowerment where the drag queen becomes the voice (the “real”), and Liza Minelli becomes my impersonator, being forced to lipsynch to my voice. The song‘s meaning, an anthem of survival and optimism in the face of life’s/love’s obstacles, is thus usurped by this reversal of roles. (LM) (Music by Lucas Michael)

School Boy Art (Erica Cho, 12 min., Super 8, 2004)
Franz's dream is to attend a real art school. He draws religiously and packs his sketchbook with anatomy studies in preparation for Portfolio Day. Will the inscrutable Professor pass or fail him? This tape highlights a queer female actor’s performance as an elder male professor teaching a young queer boy how to draw as a stage for the student’s first sexual experience. (EC) (Music by D’Argento)

Clay (A Would Be Ghost Town) (Sara Mithra, 7:30 min., animation, 2005)
To temper the grief of a lost parent, young Emma cultivates a garden in 1880 New Mexico. She searches her landscape for Pueblo artifacts amidst mining development. Might her companion, Corrine, unburden her sorrow? This tape examines the loss suffered by oppressed groups when confronted with the alternating drive to preserve endangered culture (by the scientist) or to ransack the terrain (by the white settler). The disappearing frontier ensures the need for (indigenous or) queer historical reclamation in an atmosphere of grief. (SM) (Music by Mirah)

How Fluttering (Ji-Sung Kim, 4 min., Super 8, 2003)
Crushing out and on the run to a punky soundtrack in a Super-8 and animated tale. Yes, love can still be fun. (Music by Thee Headcoatees)

Agent X: Report (Mishann Lau, 5:30 min., video, 2002)
Trapped in a world of secret agents and operatives, survival depends on success, and success is a finicky lover. Agent X: Report is a glimpse into a world of neo-codewords and disguises as thick as sunglasses at night. Shot on mini DV with only available lighting, Agent X: Report is a send up of the traditional spy caper meets 80’s music video with a dash of Hong Kong spice. (Music by navel4eve)

Maybe Never (But I’m Counting the Days) (Nguyen Tan Hoang, 15 min., video, 1996)
"Maybe Never restages both a multitude of narratives about the loss of innocence and the changing nature of sexual fantasy and activity in the age of AIDS….While the question of Asian American identity is never specifically addressed, Nguyen’s casting of Asian Americans as the objects of desire, the creators of fantasy and the participants in erotic exchanges with one another produces a distinctive aesthetic which firmly incorporates Asian American bodies, perspectives and imaginations within a contemporary sexual landscape of risk, desire, regret and creativity." –Eve Oishi, "Bad Asians: New Film and Video by Queer Asian American Artists," Countervisions: Asian American Film Criticism

7-1-05


After-party Details
$2 open bar (mention riffRAG) 9-10 pm, with the TRAXX radical go-go dancers.

directions

Jigsaw
526 E 11th Street
between A & B
New york, NY
Take the L train to First Ave & 14th Street
Walk 3 blocks south & 1-1/2 blocks east.

Girlsroom
210 Rivington Street
between Pitt and Ridge
New York, NY
From Jigsaw, walk south on Avenue B, then east on Rivington. Or, take the F train to Delancy Street and walk east on Rivington.

 



All works copyright © the artist/author and riffRAG, 2005.
No work may be reproduced or distributed without permission from the artist/author.